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THE TRIALS OF GOSH | ||
The software protection
debate continues
unabated amongst
Britain's producers,
while GOSH (the Guild
of Software Houses) tries
to co-ordinate the efforts
and ideas of its
members. However, it's
the feeling of a few that
GOSH is too exclusive
for its own good, extending the offer of
membership only to
friends - or companies
who have close working
relationships with
existing members. This feeling was expressed by Colin Stokes of Software Projects. He said, "We're doing a lot of work on software protection at the moment, but it would be easier and more effective if we could work with other GOSH members." |
It's not only Software
Projects that's feeling left
out. Imagine is also
out-in-the-cold,
according to its spokesman, Mike Crofton. He
said, "We'd be happy to
join, if somebody would
invite us - but so far
they haven't." So what
did he think about working with SP on the
protection issue? Rather
unkindly, he replied,
"We're not interested in
working with, seeing, or
touching them. In fact,
our pet name for them is
Software Defects." All of
which indicates that
Imagine intends staying
out on its own. So why are these two well known and popular producers of computer games being shunned? GOSH chairman, Nick Alexander, explained |
that out of 36 applications, only two had
been rejected (guess
which!) and that the
reason for this had something to do with the
business practices of the
two Liverpool
companies. What
exactly, he found so
objectionable he wasn't
prepared to say. He did, though, explain why GOSH seems to be making such heavy weather of its fight against software pirates. He said confidence of the individual members has to grow - which is a slow business, especially when these people spend most of their time in direct competition. But he confirmed that £50,000 is currently being extracted from members, so that prosecutions can begin. |
QUICKSILVA SELLS OUT | ||
Quicksilva, one of
Britain's leading games
software houses, has
been sold to the Argus
Press Group; publishers
of many a micromag
rival. The deal results in the departure of Nick Lambert (QS's founder) and John Hollis. Staying on are the lovable Mark Eyles and Caroline Hayon, and 'smiling' Rod Cousins. Rumour has it that the deal was clinched for a sum in the range of £1.8-11 millions; our own sources tell us the figure was around £2.2 millions - but what's a few zeroes between friends? And talking of friends, what exactly will QS's relationship with the Argus empire be like in the future. Asked for his comments, Ron Harris, managing director of Argus Press Software, |
explained that Quicksilva would become part
of his organisation, and
would continue to
operate much as normal.
He attempted to allay
fears of incestuous
business practice by
claiming, "We are
committed to an expansion programme, and it's
too late for us to develop
our own arcade range
quickly - this seemed
the logical thing to do." Would there really be no conflict of interest? "No", he said, "there'll be none! No one from Quicksilva will be working at this office - and Argus Press Software is totally separate to Argus Specialist Publications." Hmm, there's at least a floor between them - and some may also wonder why Ron Harris appears on the masthead of ZX Computing (another Argus publication) as the managing editor. |
Quicksilva's Rod
Cousins made a statement a few days after the
event. He claimed that
QS would continue as an
independent company,
with a board consisting
of Jim Connell (Chairman), Rod Cousins, Ron
Harris and Mike Dougan
(the Argus money-man).
He went on to explain
that with forward
planning a priority, the
benefits of a substantial
group would ensure the
stability, security and
growth pattern desired
by Quicksilva at a time
when the risk factor in
games software production is increasing. But the last word goes to manic Mark Eyles, "It's very exciting for us - and if you think that Quicksilva's done some amazing things already, just wait 'till you see what we've got lined up for the rest of this year and next." |
ATTIC ATTACKED! | CAUGHT IN THE ACT | |
It's not often that a
software house comes up
with the goods on how to
break in to manipulate
its own commercial
output - but that's
exactly what Software
Projects are doing with
its Jet Set Willy package.
The much-publicised
"sneaky random hazards
feature" which befell
unsuspecting players
entering The Attic seems
to have turned out to be
the bug we all thought it
was, and thanks to Ross
Holman and Cameron
Else (winners of the
JSW champagne and
glasses) the company
now have a number of
'fixes' you can add to
your program. And this
is what you do ... Rewind the Jet Set Willy tape and load it using MERGE "", press Enter and start the tape. Once the loader program has been loaded you will get the 'OK' message on the screen and you should stop the tape. Now enter: CLEAR 32767
|
as direct commands and
start the tape. After the
main part of the program
has loaded, enter the
following as direct
commands: POKE 60231,0
and your problems should be over. To start the new version of the game, enter GO TO 40. Of course, if you don't want to go through this process each time, you can save it on another tape. So, once you've sorted out the leads for a SAVE, enter: SAVE "JETSET" LINE 10
|
Sinclair Research has
given written assurances
under Part Three of the
Fair Trading Act 1973
that it will not advertise
delivery times of goods
that the company can't
keep. These assurances were sought from the company after the Director General of Fair Trading, Sir Gordon Borrie, had received complaints between February 1980 and November 1982 that the company was advertising 'delivery in 28 days' or 'Please allow up to 28 days for delivery', but was clearly unable to dispatch the goods within that period. The complaints related mainly to the ZX80, ZX81 and ZX Spectrum. During the Summer of 1982 the company's own estimate of delivery times reached 12 weeks and some customers waited up to 16 weeks for receipt of goods. Sir Clive Sinclair gave a personal assurance about this matter. In a statement made by Sinclair Research it was claimed that once it was realised demand was exceeding supply, advertising was stopped. Customers who didn't want to wait for delivery were given the opportunity to cancel their order and ask for a refund. It's rather surprising, therefore, that Sinclair Research didn't decide to stop advertising the QL as soon as it realised demand was exceeding supply once again. |
ROMANTIC TRANSFERS | ||
At first sight you might
think an outfit calling
itself Romantic Robot
would he heavily into
mechanical clones of
Barry Manilow or even
worse ( What could be worse? Ed. ). But you'd
be wrong, for RR is a
software house, eager to
help users 'exploit' the
Microdrive and all its
charms. In a software series called Trans-Express, Romantic Robot is offering cassette versions of such snappily-named programs as Tape To Microdrive, Microdrive To Microdrive, Tape To Tape and Microdrive To Tape. From a brief glimpse snatched while visiting this year's Computer Fair, the facilities offered are user-friendly and contain various error- trapping routines and tests to stop you losing your precious code. No doubt, what many buyers will have in mind |
is to copy vast quantities
of commercial-based
software to Microdrive. So far, there's been little reaction from software houses - perhaps because they've yet to grasp the implications. But, if you're the proud owner of Microdrives and fed up with the amount of software currently available on this medium (ie. none) then this package will allow you to transfer across some of the material you now have on tape. What's the point of having a Microdrive if you're not able to use it? Of course, the software houses may take a different point of view. Anyone interested in this clutch of programs can contact Romantic Robot direct at nnn xxxxxxx xxxxxx, xxxxxx xxn nxx. The prices are £5.50 each, £7.50 for any two, or £9.95 for the lot. | |
THE FAIR THAT SHRANK | ||
June 14-17 saw the third
annual Computer FaIr,
held once again at Earls
Court in London - and
it was small, small, small! Pride of place went to the Sinclair Research stand - which resembled a 1980's version of the Greek Pantheon - and there, that still rare bird, the QL, was much in evidence. Keen-eyed visitors on the Business / Trade Only day were treated to a sight of the diminutive Sir Clive moseying round his stand, perhaps in search of some good publicity to support him in his current enthusiasm for taking over as purveyor of the Beeb's official machine. An interesting addition to this year's binge was the computing junkshop. Two were in evidence, selling a motley array of unwanted secondhand bits and pieces of computing gear. 'Bargains' could be had for just a small sum, albeit the goods lacked any kind of guarantee. Perhaps the main story of the show was that |
given a huge venue like
Earls Court, it was
disconcerting to find our
once favourite thrash
tucked away in a small
part of the building,
somewhere upstairs at
the back. There were not
only fewer stands
overall, but some were
conspicuous by their
emptiness. The much
publicised 'Sinclair Village', for instance, had
magically transformed
itself to a single street! According to the Exhibitions Manager of the Computer Fair, Roy Bratt, although the Fair seemed smaller than last year's, it actually covered the same floor space - probably due to there being bigger stands and fewer of them. Attendance this year was down 20,000 on last year - which could be a trend, especially when you consider that the recent Commodore Fair's attendance was down 10,000 on its previous bash. Encouragement can be gained, however, from the fact that Roy's already got the next Computer Fair well in hand - just wait 'till next year, eh Roy! |
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