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Lord of the Frames: Kurt Kren
Peter Tscherkassky pays tribute to the Austrian artist and avant garde filmmaker |
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Saul Bass: The man behind the titles
By Tomislav Terek |
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The London Production Fund
Paul Gallagher interviews Maggie Ellis, Head of London Production Fund. The LPF supports development, production and completion of films in the London area |
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"The Cask of Amontillado"
Mario Cavalli on the adaptation of Poe's short story |
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The Halloween: five years on!
A historical overview of five years of The Halloween Society short film club, by Philip Ilson, founder and programmer |
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Thinking about experimental film and video
A. L. Rees' recent book on the history of experimental film and video is one of the rare attempts to get to grips with a intriguing aspect of cinema. Interview by Mel Taylor |
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Univisium 1:2
Now that widescreen television has introduced yet another format, isn't it time to agree on a standard for future productions? By Vittorio Storaro ASC, AIC |
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Film vs Video
Will video ever look as film? Thomas G Wallis of Kodak talks about of the differences between silver halide and digital image capture |
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Oberhausen 45th International Short Film Festival
Michal Sapir reports from the most famous festival for experimental short films |
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Shooting People.org
Shooting People is the UK's e-mail network enabling independent filmmakers to give each other advice. Courtesy of Shooting People, Filmwaves offers its readers this issue a selection of answers in response to a query about scripts |
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CINENOVA
Mel Taylor uncovers some of the history of women's film and video making distribution, and discusses the continuing need for specialised promotion of women's work |
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