Case Study 1 - English Literature
I had two interviews and a written test given the evening before.
There was a waiting room with coffee and lots of students to answer any questions about Cambridge, the college and the English course. Everyone was very friendly and welcoming - I encountered no snobbery.
The written test was actually a blessing in disguise as it gave eight or nine English applicants a chance to bond. I felt immediately at home with most of them.
Each interview was held in the room of the respective interviewer and I had the use of a map to find them. It was very, very scary sitting outside the interview rooms. However, inside the atmosphere was as relaxed as it could be - I had somehow envisaged a grey room with a metal table and a bare bulb. But the set up was comfortable and not in the least intimidating.1
The first interview revolved almost entirely around a poem I was given to read. It was much more subject - based than I had expected. 2
The poem was a sonnet about hunting and I remember that he initially asked me my opinion about the fox hunting debate in parliament. I immediately started waffling on about how I thought it was merely a case of Labour trying to seem different to their predecessors. He agreed but then accused me of not actually answering the question. 3 Ouch! The rest of the interview was a step-by-step guided analysis of the poem. I couldn’t remember what ‘hind’ meant. It must have been nerves, and made me feel very stupid. 4
There was no feedback that I can remember. I felt the interviewer to be rather cold.
My second interview had a much more positive feel to it. The interviewer asked me one or two questions about some essays I had had to send in advance.5
Next I had to read an extract aloud. It had been written by a child (although I wasn’t told until afterwards) and had little punctuation or grammar. We talked about whether or not the gender of a writer is important. I felt as if I had scored points here because I was able to mention a book (‘Grace Notes’ by Bernard MacLaverty) which the interviewer hadn’t yet read, in which the male author writes from a frighteningly convincing female perspective. 6 That gave me a real confidence boost because I recommended it to her. On the whole I felt much better about this interview than the first. She asked me what I thought I would get in my A-Levels, and if there was anything I wished I had said in my first interview. I mentioned the ‘hind’ fiasco. 7
After the second interview I was on a high (partly because the whole thing was over!). I had no idea how I had done, but I felt that no matter what happened, I had had an enriching experience. I was keener than ever to go to the college.
Between interviewers I was just nervous. I felt that I could have had more preparation, but also that you can never really prepare for something like this. It’s best not to expect anything. The normality of Cambridge should be stressed. I arrived expecting to be surrounded by eggheads and people with titles. It amazed me that everyone I met was so down to earth.
1. Interviewers usually attempt to make the surroundings relaxing. However, most people find the experience of waiting outside the interview room a nerve-racking one, and you should therefore avoid arriving excessively early.
2. It is not unusual for all interviews to be subject-based, and for a supposedly general interview to quickly become technical.
3. The candidate has been asked an unexpected and difficult question, which forces her to express opinions of her own and is hard to answer without the possibility of causing offence to someone. However, it is much better to be controversial than to be vague. Not answering a question, or answering a different question is also a serious error - in this case the candidate realises this and does not make the same mistake again.
4. In the circumstances, the best advice is to admit that you can’t remember the meaning of the word, confidently ask to be reminded, and proceed without worrying. While damaging to your confidence this is quite a common circumstance and should not be nearly as damning as the candidate imagines. The important thing is to be able to complete the analysis of the poem: guessing and attempting to bluff would be far more dangerous.
5. Questions on any written work provided by the candidate are to be expected, and present a good opportunity for the well-prepared candidate to shine.
6. This is a very important moment in the interview. The candidate has demonstrated her interest in literature outside of the school syllabus, has thought about it independently and is able to discuss it analytically, intelligently and in depth. Occasions where the interviewer learns something of interest represent a strong plus which will help you stand out from the crowd.
7. The candidate takes the opportunity to correct a previous mistake. This is a good decision, as the different interviewers will meet to discuss the case afterwards. In addition the candidate has the satisfaction of having done her best.
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