FOGS Lughnasad News Volume VII number 3, August 1996
The Cailleach & the Clyack sheaf
Midsummer in Northeast Scotland may not be readily discernible weatherwise to a visitor, but to an inmate
and particularly one in days of yore, it was a time to celebrate the long summer nights with barely enough sleep
to sustain the momentum of an 18-hour day. For the last two years [written in 1996] we have experienced
a long slow spring with the prospect of a short sharp summer to bring a little balance, but Pictish farmers were
content with that - yea even celebrated the shortness of the growing season because it was so precious.
Somewhere between the time of the ancient myths and the beginning of the 20th century, the Aberdeenshire
farmer fixed the time of ripening and cutting grain by relating it to stories handed down from of old. The
earliest word we know for the ancient mother earth goddess is Cailleach - the old woman, called without
pity, the Crone. But there was reverence in her name because as virgin she had stood by at lambing and
helped the earth blossom; and as mother she gives the bounty of summer fruit and harvest, but as the Crone,
we tend to dismiss her as a spent force
Yet in the use of placenames and in the naming of stones respect can be detected for the Cailleach. She is,
after all the old woman mountain of Wheedlemont where the Rhynie culture began; her name is given to the
Carlin stone which marches the ancient boundary between Aberdeenshire and Banffshire near Drachlaw.
Perhaps most revealing of all, the traditional Northeast ritual of cutting and keeping the Clyack sheaf is one
not yet lost. Though the Clyack may today only be kept as a preservative superstition against hard times,
there are those who still remember when the sheaf was cut from the last handful of corn (oats) in the field,
woven into the image of a maiden and kept in pride of place through the winter.
Legend varies from place to place, but where 100 years ago the Clyack was given to the beasts in the byre
at midwinter as a special feast, up to 300 years ago it was kept intact until the following spring when, along
with the sowing of next season's crop, the image of maiden/crone cast into the cornfield at seed time released
the spirit of the goddess to renew her influence over the budding earth.
The right of the author to the above material and research is asserted; any duplication of this material should
include the author's copyright ©1996-2000 Marian Youngblood
Rolldowns and other solar phenomena
Much publicity has been given in recent years - in fact since the publication of Aubrey Burl's seminal tome
The Stone Circles of the Biritsh Isles - to the popular notion that stone circles in general and those in
Aberdeenshire in particular were aligned to the moon. Burl likens the scattering of quartz inside recumbent
circles to 'milky moonlight' - a phrase which has been happily plagiarised by poetic and archaeological writers
for the last two decades.
What everyone seems to forget is that before the monstrously difficult calculation of a moon cycle (18.6 years
in Metonic terms or 235 lunations), our ancestors had long been calculating by sun time and holding festivals
to mark the occasion.
Whereas midsummer full moonset is stunningly beautiful when it is captured between the 'horns of the altar' in
a recumbent stone circle, (as it used to be seen at Cothiemuir NJ 617 198 until its cocoon of trees), its very
raison d'être is that of the midsummer sun coincidentally rising opposite the milky orb in full-blown fiery
splendour. Though next year's long-awaited minor moonset will cause a stir, archaeo-astronomers have been
conducting a silent vigil at various NE sites to observe the satisfying rolldown or rollup of the sun along
strategically placed ridges and into Nature's notches for nearly 20 years. Some tentative conclusions suggest
that, surprise of surprises, our ancestors chose to site their circles in full view of some of the most dramatic
sunset and sunrise hills.
Balquhain NJ735 240 at equinox has a vision of the setting sun rolling down Bennachie, while Kirkton of
Bourtie witnesses the midsummer sun set into the Knock.
Where the now destroyed circle of Culsalmond NJ650 329 stood, it would have seen a fine series of moon
dances on midsummer night, bouncing along Bennachie ridge, but at the same time the midsummer sun would
rise behind Tillymorgan in competitive glory.
Loanhead of Daviot NJ 747 288 fixes the midwinter setting point of the sun into Mither Tap herself, Candle
Hill Old Rayne NJ680 280 sees equinox sun setting into the Hill of Dunnydeer, while at Easter Aquhorthies
NJ 732 207 the equinoctial sun rolls quite slowly and deliberately down Millstone Hill. Mediaeval millstone
rolling ceremonies were deliberate imitation of the sun and the spark generated in the churning was used to
kindle 'Teinegin' or sacred need-fire, from which all fires in the neighbourhood were relit. At this time of light
nights, [summer 1996] it seems right to rekindle our interest in the sun and to watch its miraculous path which
was the source of ancient worship.
The right of the author to the above material and research is asserted; any duplication of this material should
include the author's copyright ©1996-2000 Marian Youngblood
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©1998-2004 Friends of Grampian Stones - Editor: Marian Youngblood