FOGS News Volume IX number 2, February 1998
The Bride Cycle
If Candlemas be dull and cool
Half the winter was by at Yule
If Candlemas be fine and fair
Half the winter's to come and mair
- traditional
BRIDE as an historical figure is likened to Irish Abbess Brigid of Kildare who died AD 525, but whose flame
was kept alive as a perpetual fire in her monastery for more than a thousand years after her death. She is
known as Bride in such diverse locations as Wales, Alsace, Flanders and Portugal.
Bride in Northeast Scotland has Christian dedications at early (now invariably ruined) sites of worship: her
name lingers in Kemnay at Brideswell where she shared the parish with fellow saint Anne (former Alisonwells,
now Alehousewells); she still has churches at Skene, Kildrummy and Drumblade and a gently crumbling one
at Cushnie. Her name is commemorated (though her church has gone) at Lhanbryde in Moray.
Brideswells abound. It pays to look into her pre-Christian persona to see why her cultus should have been
so influential (see FOGS Imbolc newsletter 1997, Vol VIII number 2).
As Brigantia she was recognised by Roman authors as goddess of the Brigantes and in later Brythonic use
as 'brigantinos' the Brittish word for 'anointed one' or king. Even Pictish kings called Brude or Bridei (at one
count in Pictish mythology there were 30 of them reigning one after the other) may have derived from their
having been anointed by or whose genealogy stemmed directly from the goddess.
Because in one of her triple goddess aspects she was patroness of poets and bards, she was supreme muse
to an oral society who valued memory, learning and recitation of lineage and heroic myth. Her other facets as
patron of smiths and woman of healing were potent.
Early Christianity, faced with such power, did well to incorporate her within the martyrology, perpetuated
as Saint Bride, Brigid or Ffraid. At Kildare the older pagan tradition of an overlighting female deity was
clearly perpetuated until the Reformation: Brigid's fire was kept by 19 virgins (perhaps reflecting a Metonic
19-year moon-cycle), in a sanctuary where no man might enter, and whose breath alone (no bellows) was
allowed to fan the flame.
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include the author's copyright ©1998-2000 Marian Youngblood
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©1998-2004 Friends of Grampian Stones - Editor: Marian Youngblood