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I managed to get to this
year's Three Shires Triples held at the Ickleford Sports and Social Club.
Unfortunately I could only stay a couple of hours in the morning so
missed out on any idea of who got where in the competition.
On arrival, two things struck me forcibly: the weather (I was at a very soggy Coates last week) and the youngsters of yesteryear - now seasoned adult players! No! He's not shooting a two metre cosh -- it's just the affect that a long lens has in shortening distances! And the three on the left were not the only young team. The three below looked pretty useful too: |

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They practiced as soon as they got there (left). They discused their next shot (right). Then, having discussed, they acted: |
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At the other end of the age spectrum, I was asked to measure on a couple
of occasions. I wish they wouldn't do that!
As a professional metrologist I used to enjoy measuring. But now I can't bend down to do it. If I kneel down I can't get up and while I'm down there my hands normally shake too much to dare touch either boule or coche. Now I that I don't play many tournaments, I just bring along my camera. It is a fond hope that I can create a library of studies of all our respected/popular/good or even characterful players. (For the record, I still enjoy life and have no intention of publishing into which catagory each study falls) |
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So here are two studies I managed to take this time.
Mind you, none of you help! I've shot after shot where someone has walked in front of me and obscured half a superb photo. I have an equal number where I spoilt them without your aid! Wrong exposure - not in focus - camera shake - you name it - I've done it! |
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Which brings me to a point -- how come some players seem totally photogenic while others are almost
impossible to catch?
Take Alan for example. I have taken several shots of him in a variety of lighting, even with a variety of cameras. Each time I seem to get good crisp images. Note that even his boule seems photogenic! And it is not just that the boule is coming straight at the camera and hence pseudo-stationary -- it's the same when viewed sideways: |

