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MAY CONCERT 2017

Review of the Burnham Music Concert Saturday 13 May 2017

 Last Saturday The Burnham Music Group gave a concert that was also a farewell to their conductor and trainer for a decade, Terry Saunders. It was entitled “Songs of Sea and Sky” and was devoted, in the main, to music by Elgar, Parry, and Stanford.

In the first half the most impressive piece was the haunting” Middle Watch” from Stanford’s “Songs of the Fleet”, made especially so by the BMG chorus; this being followed by Terry’s witty performance of the “Little Admiral”.  

However, it was my impression that both Terry and the guest mezzo soprano, Kathryn Hannah, gave of their best in the second half; Kathryn with her impassioned performance of the last two of Elgar’s “Sea Pictures”, which she introduced herself, and Terry’s elegiac rendition of Sanderson’s “Moorings”, to which he also contributed a most sensitive accompaniment. The concert closed with two Elgar songs to words by Kipling – “The Sweepers”, featuring both Terry and the chorus, and “Submarines”.  

As for the BMG chorus, they were as good as I have ever heard throughout, and especially so in their performance of Parry’s “Songs of Farewell”.  Steve Pritchard was excellent as the main accompanist and continuo, on both organ and piano.  

On 9th December the BMG will celebrate their 40th anniversary, at which Peter Dale, their founder, will return as interim director and conductor.

    John Phillips

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WINTER CONCERT 2016

Review of Burnham Music Group’s Winter Concert  

A  Christmas Concert to Remember

 The Messiah is so well known, and a wonder of the choral firmament, but it lasts 150 minutes, so lacking a tenor soloist and needing an interval of at least 20 minutes presented a problem. The solution was to simply have the texts of the dropped numbers spoken as biblical texts interspersing the sung items. This editorial stroke of genius combined with the recent adoption by the BMG of the sonorous Ellora String Quartet, made for a wonderful evening at St Mary’s Church on Saturday. The Quartet not only contributed a secure and beautifully toned foundation to the musical endeavour but added many felicities of theirs, not least the beautiful and ethereal Sinfonia. The BMG chorus was in great form. The two guest soloists, Suzanne Walker (Soprano) and Rebecca Dale (Mezzo-Soprano), were both excellent; indeed a personal highlight was ‘He shall feed his flock’ which they shared. At the end of the interval, following part 1, two carols were sung by all present, but with the BMG ladies adding magnificent descants which took them and us to the heights. Terry Saunders both lead the BMG with a light touch and flowing tempi, and used his stentorian bass voice to great effect with ‘Why do the nations’ sung from the podium. Steve Pritchard also contributed as accompanist and was great help to Terry in the rehearsals, which certainly bore excellent fruit.

 

   John Phillips

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AUTUMN CONCERT 2013

 

Review of Burnham Music Group’s Winter Concert

If you missed Burnham Music Group’s latest concert on 30th November, then I am sad, because I thought it was probably the best that I have heard from them. The most enterprising programme was devised to celebrate two anniversaries; first that of one of our greatest composers, Benjamin Britten (22/11/1913 – 4/12/1976), and second that of a world-changing event spread over 4 years starting in July 1914, namely World War I.

            In the first half, BMG sang Britten’s Ceremony of Carols. It is a miniature masterpiece comprising seven carols set with absolute mastery for chorus accompanied with soprano plus harp and piano. After a slight initial hesitancy, the BMG, under Tom Potten’s gentle persuasion, opened their hearts and were seduced into performing better than they thought they were capable of, a high level that they sustained for the remainder of the concert. The soprano Katherine Clark was splendid both in voice and interpretation, joined in one carol by Hannah Todd, mezzo, who also sang well.

Will Potten was superb in his piano contribution, which continued after the interval, when in the presentation of a selection of numbers from Karl Jenkins’ “The Armed Man” he played not only the piano, but I believe also the trumpet, though not simultaneously! This piece is based on an amalgam of a 15th century text with the Mass and is both dramatic and a moving plea for peace. Peter Dale was dramatic and powerful as the narrator, the chorus sang not only excellently but with great sensitivity, as did the soloist in “Now the Guns have Stopped”.

            All in all an unmissable evening.

                                    John Phillips

Photographs © David Hucklesby

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