|
Jean Cocteau's drawing
symbolises the image that many people have of the confrontation between
Antigone and Creon. Two adults locked in dispute, head to head...
Many
of the problems in understanding this play disappear whren you realise
that Antigone is a very young girl. She is betrothed, but unmarried. Athenian
girls (yes, I know Antigone was a Theban! There are theories that
say the Theban setting of the three plays is relevant, that Sophocles
was portraying the "other" society, but I don't think so)- Athenian
girls could be betrothed when very young indeed (any time after birth,
in fact) - and necessarily before menarche. Marriage could
then be quickly processed as soon as her periods began, and she was
properly marriageable (ie able to conceive).
Thus Antigone should be thought of as a 15 year old
at most, and possibly as much younger (12 or 13). Her behaviour -
wild and defiant is not unheard of in girls of that age. In fact it
was recognised as a problem in Athenian culture, to be managed by
a strange custom. Young girls of good family were sent away from their
families at this pre-pubertal stage, either to the Sanctuary of Artemis
at Brauron, or to the sister establishment on the Acropolis, where
they were known during this time as "bears" (arktoi). An
imaginative explanation for this custom emphasises the resemblance
of the young girl to a bear : she seems almost human (walking on hind
legs, holding things in paws), but is both wild and tame, bothhuman
and animal.
Thus I find it highly unlikely that the male Athenian audience will
sympathise with Antigone at the start of the play. She seems like
a typical wild and undisciplined child, defying her elders and making
scenes! Having lost her parents, such behaviour would seem even more
natural. And so we don't take her too seriously when she says she'll
bury her brother's body, and tries to involve herself in polis
matters which don't concern a woman.
|